If you were an animal in the rain forest, would you be a butterfly? A toucan? An iguana? A jaguar?
In art club after school, Carlin Springs students painted a wild setting for the spring play. They discovered inspiring scenes of forest canopies in books from the Arlington County Library, including Little Kids First Big Book of the Rain Forest by Moira Rose Donohue, The Amazon by Tom Jackson and What’s Up in the Amazon Rain Forest by Ginjer L. Clarke.
Students wrote the script and acted as animals alarmed by changes in their habitat. Katie McCreary and Ashley Hammond of the Educational Theatre Company led the writers and directed the performance — all in the spirit of learning through the arts!
With sleet and snow blowing across Arlington streets, the birds have disappeared from sight. Looking for inspiration, kids in art club discovered the Audubon Society’s North American field guide. Their imaginations took off with drawings of colorful owls, finches, hummingbirds, tanagers and flamingos.
In a box with books from my childhood, I found a paperback published in 1948 by the Iowa State College Extension Service. It includes information on 24 birds with drawings and instructions for coloring. Never miss an opportunity to use your color pencils!
On the crow, authors Thomas Scott and George Hendrickson wrote, “The ability of this crafty creature to perform such misdeeds as eating bird eggs, pulling corn and the like is due to its high degree of social cooperation. Although these birds are with us all year they are seen at their best in the large flocks which form in groves during the winter.” (page 20)
I hope your neighborhood is full of feathered neighbors. It’s not too late to put out birdseed. This handbook says cardinals prefer to feed off the ground and like seed plus a little fruit and insects.
Do poets wander alone “scribbling in notebooks, peering across moors, feeding ducks…?” In “Mary Oliver and the Naturesque,” Alice Gregory suggests that Oliver writes and invites us to ramble with her. As the poet says, “the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting.”
So … yesterday I wandered. After watching reports of far away blizzards, I followed sidewalks dusted with snow. It was my first time out taking photos, because last October I chipped a bone in my foot. Since I am just beginning to paint again, I’m posting this sketch.
Gregory’s article appeared in Poetry magazine on February 16, 2011.
No, say it isn’t so! The Great Barrier Reef is in trouble.
This year the kids at Carlin Springs Elementary School dove down under to visit the reef — all in their imagination. Inspired by their adventure, young actors created a play and young artists designed the backdrop. Together we admired a host of beautiful sea creatures, especially those in Here is the Coral Reef by Madeleine Dunphy and in Great Barrier Reef by David Doubilet. Ashley Hammond and Colleen Murphy of the Educational Theatre Company directed the performers, and Angel Lopez and I coached the artists.
Last fall I zoomed to an era long before smart phones and social media with a visit to Tribune Showprint. It’s a workshop full of printing presses dating as far back as 1878. Known for years as the printer of the Benton County Tribune, the shop also made posters for store windows and outdoor advertising. As we admired the presses in operation, owner Kim Miller told the story of how she and her husband moved machines from Fowler, Indiana, to their current location in Muncie — all overnight to preserve the reputation as the oldest continuously operating print shop in the country.
At the studio of the Book Arts Collaborative next door, we admired books and letterpress cards designed by local artists and students from Ball State University.
I learned that before the invention of modern duplicating machines or carbon paper, clerks used special copy presses. The clerk placed an original document — with the ink still wet — against a sheet of thin onionskin paper. When pressed together, the papers printed a mirror image! The text on the copy could be read from the back when held up to the light from a window.
On returning home, I focused on ideas for design sessions with teens. I pulled out my copies of Creative Bookbinding by Pauline Johnson and Cover to Cover by Shereen LaPlantz and tested techniques for decorating papers and sewing hard covers. The students, under the direction of Erika Lucas, completed their projects in March. I stitched two books then and plan to sew again this week.
On April 21 and 22, 2017, the Collaborative and Tribune Showprint will host Interrobang, a festival celebrating the craft and the art of the book.