Nature Drawings & Poetry

Summer — Silence

Winter would seem to have a lock silence — 
the snow quieting the fields across the countryside, 
muffling even big city sounds and rounding off rough edges.

But silence is big enough to hold all seasons, 
and has a special place for summer — 
ocean, waterfall, and subway tunnel, yes,

and not only on top of whatever barns remain
on prairies or in mountain valleys —

but deep in the city, up on the tar beach rooftops 
of Manhattan, 

Queens, Brooklyn, the Bronx —
maybe even Staten Island.

Where a kid goes to hear the stars,
their voices need no words.

from The Four Seasons by John Clarke

This image has an empty alt attribute; its file name is macklin_armnjournal_feb4_2021_lowres.jpg
Leaves | pen & ink with watercolor & pencil | copyright Liz Macklin 2021

Only a few weeks ago, I met a group of Arlington Regional Master Naturalists to talk about journals inspired by nature. To prepare I headed to Barcroft Park, the site of our March field trip. The trail, covered with snow, wound past a seep bordered by tall trees. Quiet prevailed.

Our leader Jan had pointed me to the work of John Muir Laws, biologist, artist and journal mentor. Laws advises beginners to include numbers, words and pictures in journal entries. Near the path, I found a branch with dry leaves. It was just the right place and just enough of a specimen to start my notes. I recorded time and temperature. I described features like color, shape and location, and I finished a quick sketch.

Jan stressed that journals can be exclusively written work, too. That brought to mind autumn meetings with a group of poets and visual artists at Fort C.F. Smith Park. The year? Possibly 2004. My friend John Clarke shared a poem at each session. I thought of John, as I heard rumbles of automobiles and leaf blowers and beyond that, the calls of crows and the trills of other birds, perhaps sparrows, in the trees above. Further up the path, I reached the playground of a school deserted through the winter — a pandemic silence, broken only by brief tapping by a woodpecker.

Taking in the sunshine, I decided that the best journal was one that you enjoy working on!

Read the complete text of John Clarke’s The Four Seasons

Everyone Can Make a Book

Start with an idea and a piece of paper, and you have the beginning of a book. Fold the paper in half. Then draw or write or create secret code or mark with musical symbols. It’s your idea, so express it in your own unique way.

Interior of child's book showing a person and a house with a tall chimney

Colored paper adds pizzazz! Don’t forget that paper has two sides. Be sure to remember the name of the author and illustrator.

The cover of a child's book showing a handwritten name, Alex

Stories can be told in many ways, and the tale might change each time. Young children often like to make audio recordings of stories. Adults who want to help might also write down the words.

You’ll find a million ways to embellish and add to your books. Check back and we’ll look at a few of them here.

A child's book with a figure that has a pop up nose and long arms made from paper. The text says, "He help other."
A a child's book with a figure embellished with a pop up nose and paper hair, arms and legs. The text says, "I am rober forever."
The cover of a child's book decorated with a rectangle of corrugated paper. The text says, "the Book UV the."

Dream and Design!

Put on an architect’s hat. You might discover a place filled with patterns and colors.

A place for friends.

A place for a party — with pets.

Cartoon of dog drawn by student next to a photo of dog. Both are placed near a round table with paper "food."

A place for quiet thoughts.

Small figured drawn by student and placed in an "alcove" created by tiny boxes.

A place to dream.

The children at Carlin Springs Elementary School created these designs in after school art club. Materials included recycled boxes, plastic lids, ribbons, beads, pipe cleaners, colored papers, markers, stickers, tape, glue, paint, and photos.

Often we look at books from the public library for inspiration. For younger children, you might read Home by Carson Ellis or In a Blue Room by Jim Averbeck. For older children, I bring out a book I bought many years ago, Houses by Piero Ventura.  We design by drawing, cutting, folding, and gluing until our homes are complete!

Student holding stickers and working with an assortment of materials on the table.

Painting the Rain Forest

If you were an animal in the rain forest, would you be a butterfly? A toucan? An iguana? A jaguar?

Rain Forest Backdrop
Rain Forest Backdrop by Carlin Springs students | tempera on muslin

In art club after school, Carlin Springs students painted a wild setting for the spring play. They discovered inspiring scenes of forest canopies in books from the Arlington County Library, including Little Kids First Big Book of the Rain Forest by Moira Rose Donohue, The Amazon by Tom Jackson and What’s Up in the Amazon Rain Forest by Ginjer L. Clarke.

Students wrote the script and acted as animals alarmed by changes in their habitat. Katie McCreary and Ashley Hammond of the Educational Theatre Company led the writers and directed the performance — all in the spirit of learning through the arts!

Winter Birds

North American Birds Drawn By Fifth Grade Student
North American Birds | By Fifth Grade Student

With sleet and snow blowing across Arlington streets, the birds have disappeared from sight.  Looking for inspiration, kids in art club discovered the Audubon Society’s North American field guide. Their imaginations took off with drawings of colorful owls, finches, hummingbirds, tanagers and flamingos.

Winter Birds Around My Home published by the Iowa State College Extension Service
Winter Birds Around My Home published by the Iowa State College Extension Service

In a box with books from my childhood, I found a paperback published in 1948 by the Iowa State College Extension Service. It includes information on 24 birds with drawings and instructions for coloring.  Never miss an opportunity to use your color pencils!

On the crow, authors Thomas Scott and George Hendrickson wrote, “The ability of this crafty creature to perform such misdeeds as eating bird eggs, pulling corn and the like is due to its high degree of social cooperation. Although these birds are with us all year they are seen at their best in the large flocks which form in groves during the winter.” (page 20)

I hope your neighborhood is full of feathered neighbors. It’s not too late to put out birdseed. This handbook says cardinals prefer to feed off the ground and like seed plus a little fruit and insects.

Poems and Snow

Do poets wander alone “scribbling in notebooks, peering across moors, feeding ducks…?” In  “Mary Oliver and the Naturesque,”  Alice Gregory suggests that Oliver writes and invites us to ramble with her. As the poet says, “the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting.”

So … yesterday I wandered. After watching reports of far away blizzards, I followed sidewalks dusted with snow. It was my first time out taking photos, because last October I chipped a bone in my foot. Since I am just beginning to paint again, I’m posting this sketch.

Duck
Duck | watercolor | copyright Liz Macklin 2018

Gregory’s article appeared in Poetry magazine on February 16, 2011.

Painting Creatures of the Reef

Photos of children painting and of the backdrop hung on stage
Painting a Backdrop Inspired by the Great Barrier Reef

No, say it isn’t so! The Great Barrier Reef is in trouble.

This year the kids at Carlin Springs Elementary School dove down under to visit the reef — all in their imagination. Inspired by their adventure, young actors created a play and young artists designed the backdrop. Together we admired a host of beautiful sea creatures, especially those in Here is the Coral Reef by Madeleine Dunphy and in Great Barrier Reef by David Doubilet. Ashley Hammond and Colleen Murphy of the Educational Theatre Company directed the performers, and Angel Lopez and I coached the artists.

Long live the reef!

Photo copyright Liz Macklin 2017

 

Antique Presses and Artists’ Books

Reviewing Presses
Frank Deichmeister admires the vintage presses at Tribune Showprint.

Last fall I zoomed to an era long before smart phones and social media with a visit to Tribune Showprint. It’s a workshop full of printing presses dating as far back as 1878. Known for years as the printer of the Benton County Tribune, the shop also made posters for store windows and outdoor advertising. As we admired the presses in operation, owner Kim Miller told the story of how she and her husband moved machines from Fowler, Indiana, to their current location in Muncie — all overnight to preserve the reputation as the oldest continuously operating print shop in the country.

2016_millerpress_posters
Kim Miller impresses Elaine Vidal with tales of the historic print shop.  Posters for recent events line the walls.

copy press
An antique press at the Book Arts Collaborative

At the studio of the Book Arts Collaborative next door, we admired books and letterpress cards designed by local artists and students from Ball State University.

I learned that before the invention of modern duplicating machines or carbon paper, clerks used special copy presses. The clerk placed an original document — with the ink still wet — against a sheet of thin onionskin paper. When pressed together, the papers printed a mirror image! The text on the copy could be read from the back when held up to the light from a window.

Student finishing hand sewn book
Student finishing hand sewn book

On returning home, I focused on ideas for design sessions with teens. I pulled out my copies of Creative Bookbinding by Pauline Johnson and Cover to Cover by Shereen LaPlantz and tested techniques for decorating papers and sewing hard covers. The students, under the direction of Erika Lucas, completed their projects in March. I stitched two books then and plan to sew again this week.

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On April 21 and 22, 2017, the Collaborative and Tribune Showprint will host Interrobang, a festival celebrating the craft and the art of the book.

Handsewn Books April 2017
Samples of hard cover books designed for lessons with teens | copyright Liz Macklin 2017